Skip to main content

The Manual may earn a commission when you buy through links on our site.

Worn Out Wednesday – Ward Williams

Today we speak with Creative Director Ward Williams about his career and personal style.

I was born and raised in the Mississippi Delta. The area is famous for producing some of the most colorful artists and generally strange people in the world. Because it was a riverbed at some point in history, farming is the prevailing industry. However, the culture is as bountiful and legendary as the crops grown there. My father was a cotton farmer and my mother a school administrator. I spent a large amount of my childhood listening to my father tell stories that I still don’t entirely believe to be true. I also spent a large amount of my childhood having my grammar corrected by my mother – who is an English teacher by trade. Perhaps it was my birthright to eventually become a writer of some sort?

Recommended Videos

College kept me in Mississippi and eventually I made my way up the eastern seaboard to Virginia for graduate school. The next step was New York – a place where I never had any intention of living. That was eight years ago and I’m not sure I ever have any real intention of leaving – save for possible small stints in a handful of places.

My career started in advertising as a junior copywriter at Ogilvy & Mather. Since then, I’ve worked at a variety of advertising agencies both large and small. I did my own thing for a while, took some time to write for myself, and enrolled in a couple of writing courses at NYU. Currently, I’m a creative director at Momentum Worldwide working primarily on the American Express account at my agency.

I joke that my family and friends don’t really understand what I do. I’m not sure that joke is really that much of a joke. I don’t blame them though. At any time I could be doing something as simple as writing a print ad. At other times, I could be working on a livestream concert and fashion show during New York Fashion Week. Just last week, I was wearing a full body suit of green lycra Zentai on a sound stage in LA with a top ranked tennis player. I don’t try to make a lot of sense out of where my job takes me, but suffice to say, it keeps things interesting. It’s fun to find interesting and creative ways to tell a brand’s story – for now, at least.

Until I eventually get around to selling that book I’ve been thinking about writing.

Like any good Southerner, my style is traditional southern preppy (I think that’s a thing). However, I like to mix it up with interesting pieces. You’re not going to see me in head-to-toe Brooks Brothers and Vineyard Vines.

Jeans: My absolute favorite jeans are a patched six-year-old pair from Simon Spurr; I have an equally old pair of Earnest Sewn skinny jeans that I wear at least two times a week. Oh, and slim fit jeans from UK brand, Jean Machine – they’re great. Related: I own too much denim.

Shirts: I am pretty hard on shirts so I was happy to discover that the Small Slimfit Oxford at Uniqlo fits me perfectly. I also have a bunch of shirts by Michael Bastian – both his regular and Gant lines.

Pants: In the winter, I live in a pair of Hickey flannels. They fit great and keep me warm. In the summer, if I’m not wearing jeans, I’m probably in a bright pair of Rugby (RIP) chinos or slim Rag & Bone five pocket khakis.

Suits: The suit I wear the most is by Boglioni. I have an old Jil Sander suit that I sometimes wear as a tux when I’m not wearing my proper one.

Shoes: If I could, I would live in Belgian’s. I love my suede wingtips from Massimo Dutti and cordovan tassel loafers by Hickey; for rain, my LL Bean Duckboots and for snow, Diemme Boots; the rest of the time it’s Quoddy topsiders and LL Bean Signature Bluchers.

Accessories: I wear an old gold and silver Rolex Datejust, my father’s signet ring, and his monogramed gold belt buckle. I just recently discovered Steven Alan’s eyewear line and it’s fantastic. My everyday glasses are a pair of rose-colored vintage clear French frames from Fabulous Fannie’s in the East Village (that sentence annoyed me too). And I love a needlepoint belt and knit ties from Michael Bastian.

Outerwear: Denim Jacket by Jean Machine and my trusty Barbour; North Face and Patagonia for skiing or freak NY snowstorms.

Your favorite App: Sure, Instagram and Google Maps get a lot of use on my phone but if you have a four-legged creature in your life, MyTalkingPet is endlessly amusing.

Favorite piece of technology: Even with cable, I’m pretty attached to my AppleTV.

Next tech purchase: I’m toying with getting a Jawbone UP bracelet, but I’m not quite prepared to face the reality of my sleep cycle – just yet.

Cator Sparks
Former Former Digital Trends Contributor, The Manual
Cator Sparks was the Editor-in-Chief of The Manual from its launch in 2012 until 2018. Previously, Cator was covering…
Graphpaper and PUMA elevate the Speedcat Plus in a monochrome triple-leather
PUMA's Speedcat sneaker gets a minimalist upgrade
puma speedcat sneaker

In the last couple of seasons, PUMA’s Speedcat silhouette has slowly become the brand’s answer to Adidas’ Samba and Nike’s Cortez revival. As the other brands continue to reinvent and reimagine some of their iconic sneakers, PUMA has taken to designs like the Speedcat for another pass through the spotlight. As the sneaker continues to reach a new audience with playful prints and textures, the brand hasn’t slowed down on releasing new iterations of the classic sneaker. In their latest collaboration on the Speedcat, PUMA has joined forces with Japanese label Graphpaper for a pared-down and subtle take on the sneaker that’s equally as retro as it is elevated. While this partnership takes on the Speedcat Plus, the silhouette’s more statement version, the iconic shape and style of the original Speedcat remains, with remnants of its racing past still visible.

Graphpaper gives PUMA’s Speedcat Plus a luxe makeover

Read more
Zenith’s space-forged chronograph goes worldwide
Zenith's Space-Forged Chronograph Expands
CHRONOMASTER SPORT METEORITE

Zenith has expanded global availability for its Chronomaster Sport Meteorite, a timepiece featuring authentic space fragments integrated into the dial.
Previously exclusive to Japan, the 41mm chronograph now reaches international markets through Zenith boutiques and authorized retailers at $17,500. Each watch incorporates a dial crafted from genuine meteorite that traveled through space for millions of years before reaching Earth and Zenith's Le Locle facilities.
The meteorite dials showcase the Widmanstätten pattern, a geometric formation created when molten iron cools gradually in space's vacuum. Hand-finishing reveals these cosmic crystalline structures, ensuring each dial remains unique. Against this extraterrestrial backdrop, Zenith's signature tri-color chronograph counters in silver, light grey, and anthracite create visual contrast with circular azuré finishing.
The stainless steel case preserves the design language of Zenith's 1969 A386 chronograph while incorporating contemporary elements like a black ceramic bezel marked with 10-second graduations. Pump-style pushers and modern proportions blend heritage aesthetics with current styling, while 10 ATM water resistance ensures daily practicality.
The timepiece houses Zenith's El Primero 3600 movement, the latest iteration of the brand's high-frequency chronograph caliber that earned the 2021 Grand Prix d'Horlogerie de Genève "Chronograph" award. Operating at 5 Hz with a silicon escape wheel, the movement achieves 1/10th second precision with the chronograph hand completing full rotations every 10 seconds.
The caliber provides 60 hours of power reserve and displays refined decoration through the sapphire caseback, including a blue column wheel, horizontal clutch, and openworked rotor featuring the Zenith star emblem.
The package includes both an integrated steel bracelet and black rubber strap for wearing versatility.

Read more
Isotope’s new OVNI Jumping Hour is a retro-futuristic marvel
The Isotope OVNI Jumping Hour is a retro-futuristic masterpiece
OVNI JUMPING HOUR (FOUNDERS EDITION)

In the dynamic sphere of independent horology, where creativity is the ultimate currency, Isotope Watches has consistently distinguished itself through audacious design and mechanical playfulness. The British microbrand’s recent release, the OVNI Jumping Hour Founder’s Edition, is a triumphant culmination of this philosophy, offering a retro-futuristic spectacle that captivates the collector’s imagination just in time to commemorate the brand's 10th anniversary. This timepiece goes beyond the conventional to become a wearable sculpture, a conversation piece that masterfully blends mid-century modern flair with contemporary horological ingenuity, proving that true luxury resides in bold individuality and intellectual design.

A dial of profound complexity and whimsical charm

Read more