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Puff, Puff, Playlist: The Best Songs About Weed

bangerz and bluntz
Alfred Gescheidt/Getty Images
Alfred Gescheidt/Getty Images

As the walls of injustice continue to come tumbling down upon the needless criminalization of cannabis in America, it’s important to have just the right sticky icky music to help you blaze it up, pursue happiness, and vaporize the dark forces that formerly oppressed your freedom. These dank, crystallized nuggets of herb-celebrating tunes have been hydroponically engineered to flow with your bud-induced buzz like THC-soaked butter. Though the mix journeys through many genres, moods, and top-shelf hybrid strains, some super high highlights are lit up for your toking pleasure after the Spotify playlist jump.

“Acid Raindrops” by People Under The Stairs

Los Angeles’ People Under The Stairs create hip-hop bliss with a double doctorate in Life’s Lessons and Beat Making. The group dissects a vinyl record collection, removes stem cells of soul and funk, and creates new strains of life-affirming tracks, which they toss out like green confetti at a pot legalization parade. Riding an ideal cannabis-complementing groove, “Acid Raindrops” finds co-producers and MCs Thes One & Double K (plus first verse and hook provider, Camel MC) musing about relieving the stress and anxiety of life’s challenges with the greenery and good tunes.

Reefer Madness ORIGINAL TRAILER - 1936 (Not the full film)

“Pass The Kouchie” by Mighty Diamonds

The Mighty Diamonds are an OG reggae group from Kingston, Jamaica, formed in 1969. The track “Pass The Kouchie” on the 1981 album, Changes, was a hit in Jamaica and the incredibly obvious basis for “Pass The Dutchie” by the UK’s Musical Youth, which was released in 1982. Legal battles have agreed that, aside from the obvious removal of herb-related lyrics (changing “How does it feel when you got no weed” to “no food”) and changing the title from “kouchie” (slang for a pipe/bowl) to a “dutchie” (slang for a stewing pot), the Mighty Diamonds get full credit for authoring the song. Slowed down and more whimsical, this original version makes more lyrical sense.

“John Madden (2010 Version)” by Spose & Cam Groves

Though Wells, Maine (just south of Portland) might not conjure up images of rappers laying down weed-saturated tracks on top of blunted beats, Spose and partner-in-rhyme Cam Groves bring suburban reflection and fat sacks of trees to the greater populace while putting the small coastal town on the hip-hop map. The track was originally featured on the debut album, Preposterously Dank, released locally in Maine in 2008. As the Spizzy Spose prose spreads nationally, this 2010 reworking of “John Madden” gives us some proper bass and more user-friendly production, making this 4:20 shoutout video game ode all the more ripe for the deep end herbal intake.

Chrome Sparks - Marijuana

“Marijuana” by Chrome Sparks

By sampling Idris Muhammad’s “Could Heaven Ever Be Like This” (likewise dropped by Jamie xx in his track “Loud Places”), Chrome Sparks (aka Jeremy Malvin) gets us into the mood with the slowed/screwed down rendering of the words “I feel music in your eyes/rainbows in your kiss.” Coupled with the soothing electronic tones and bass line that resemble a futuristic take on the post-ingestion results of the song’s moniker, “Marijuana” offers a unique digital direction among the endless creative paths that this once-forbidden plant provides.

“Good Shit” by Cornershop

Though not as direct and hard-hitting in referencing the dankity dank as other tracks in the mix, the “good shit” appreciated by Cornershop’s Tjinder Singh is the myriad good things all around us in life. However, when Singh notes that he’s “on fire” and requests “I want you each and all to switch on your tiny mind,” one can’t help but imagine that he very much understands and appreciates the weed terminology used to convey his larger point. Bonus: The upbeat (both in optimism and tempo) guitar-driven groove lays down a nice fuzzy shag carpet that really ties the rock ‘n roll reefer section together.

May this mix help the positive vibrations of your next smoking/dabbing/edible/vaporizing session be further augmented and amplified! Cheers!

Need some gear to celebrate 420? Our friends over at Grenco Science are offering a sweet sale between Monday, April 16 and Sunday, April 22. Use the code ‘THEMANUAL’ for an additional 5 percent off this Santa Cruz Grinder. We’re also fans of the G Pen Pro Vaporizer and the G Pen Elite Vaporizer.

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Riddles
Riddles is the Music Curator for The Manual. He believes that every activity we do in life could use a good soundtrack. From…
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As Halloween begins to overtake Christmas in both ubiquity and popularity, Halloween music remains an under-explored feature of the haunting holiday. It’s easy enough to slap on a thriller movie OST and call it a day; but songs about spooky monsters aren't exactly mainstream fare, even when the leaves start falling. Halloween music is more than just Monster Mash — it’s a seasonal treat that’s getting more expansive by the minute and spans several genres. 

Horror-obsessed punks and gothic artists have created some excellent music that works any time of year — but especially well during October. In this apocalyptic era, Halloween is taking on a very different meaning, and might require more isolation than the holiday normally calls for, leaving many in a monstrous mood. We’re thinking outside the box when it comes to tunes that will shake your bones, so we’ve curated an unranked list of blood-curdling contemporary albums so you can have a soundtrack ready for your socially distanced Halloween parties. 
1. Dead Man’s Bones by Dead Man’s Bones
Here’s a little known fact: For a time, Hollywood heartthrob Ryan Gosling was the lead singer in an ultra-twee, indie horror punk band called Dead Man’s Bones. The crew travelled around the U.S. with a children’s choir dressed in makeshift spooky costumes, selling out local DIY venues throughout the country. The one full-length LP this bizarre troupe produced was a strange little self-titled album: Each cute track used different kinds of monsters as metaphors for different kinds of heartbreak. Songs like My Body’s A Zombie for You and Werewolf Heart were as sweet as bite-sized trick-or-treat snacks — careful, you might have some cavities after listening. The perfect addition to your Halloween party playlist. 
2. Half Ghost by Dani Shivers
Mexican goth queen Dani Shivers has been releasing low-budget DIY music videos on YouTube for years, these short films are a perfect distillation of her understated witchy essence. Shivers is the alter ego of Tijuana-based artist You Schaffner, who uses the character to explore the more macabre parts of her psyche. Half Ghost is a moody, lo-fi sequence of short songs that take the symbolism of haunted houses quite seriously. Whereas Shivers’ earlier songs used a cutesy Casiotone, the synths on this album are deliciously dreamy, juxtaposing against the singer’s girlishly nasal, enchanting vocals. Half Ghost is probably the best goth album of this decade. 
3. Witching Hour by Ladytron
Ladytron’s album 604 was a perfect example of the maligned electroclash subgenre: full of dispassionate lyrics about boredom and irony. The follow-up to that masterpiece was far more serious, and much more apocalyptic: Witching Hour is a whole aesthetic universe filled with haunted power plants and Ballardian high rises. The album's lead single Destroy Everything You Touch became an enduring goth anthem played at underground vampire parties to this day. Ranging from bombastic and aggressive to eerie and understated, lead singer Helen Marnie’s wispy vocals guide the listener through a supernatural, post-cyberpunk world.
4. Without Warning by Metro Boomin, 21 Savage, and Offset
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5. King Night by Salem
A small sub-genre of electronic music popular in the late 2000’s that blended harsh noise, chopped-and-screwed trap, pop, industrial, and EDM eventually became known as “Witch House” — King Night is maybe the genre’s most representative album. In these speaker-destroying tracks, which switch between gorgeously melodic and ear-shattering, Salem explores a quite uncanny sonic universe: Sometimes hopeful, sometimes utterly hopeless. It’s far from easy listening, but the music provides a creepy backdrop for a walk through crunching leaves or a haunted night at the club.
6. Crazy Clown Time by David Lynch
Polymath artist David Lynch is better known as a filmmaker than as a musician, and if you think his movies are hard to digest, you’ll have an even harder time with his songs. Densely symbolic to the point of semi-incoherence, Lynch’s jazz / techno / noise music is absolutely unnerving — but also strangely beautiful. Crazy Clown Time features guest vocals from Yeah Yeah Yeah’s singer Karen O on its perfect opening track, Pinky’s Dream. Good Day Today became an unlikely EDM banger once remixed by Boys Noize. The album’s titular track is a full-on nightmare filled with horrific screaming and frightening falsetto vocals from Lynch himself, with lyrics that darkly allude to sexual violence.
7. Batbox by Miss Kittin
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8. Themes for an Imaginary Film by Symmetry
Musicians Johnny Jewel and Nat Walker had created an entire score for the film Drive that wound up being mostly unused. The duo re-shaped the work into a moody synthesizer soundscape reminiscent of John Carpenter’s horror soundtracks on Halloween movies like The Fog and Vampires. It’s an oddly soothing set of tracks, but there’s of course something more insidious lurking underneath the calming melodies.
9. Everything Sucks by Princess Nokia
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10. Why Bother? by ADULT.
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