Skip to main content

Throttle Jockey: The Kawasaki H2 and Question One

throttle jockey kawasaki h2 question one h2r
Image used with permission by copyright holder
Back in September, after a long run of rumors and  teases that had the motorcycle press and speed freaks (the velocity kind) in a tizzy, Kawasaki pulled back the curtain on the H2R, a supercharged sport bike packing an astounding 300 brake horsepower – a good 100+ ponies more than pretty much anything else you can buy. A gigantic asterisk was also revealed: the H2R was a track-only bike and was not street legal.

Of course, that just set the stage for putting the motorcycle press and speed freaks in a second tizzy as they waited for the other tire to drop on the street-legal version of the H2R, called the H2. When it was finally revealed, super-charger intact but detuned to some degree, all everyone really wanted to know is: how fast will it go?

That seminal inquiry has been Question One since Gottlieb Daimler first fitted an internal combustion engine to a rickety wooden creation in the late 1800s. Once the little engine began filling the air with oil smoke and noise, Herr Daimler and whoever else was twisting wrenches most certainly took turns hopping aboard and seeing what she could do. Could it outrun a horse? Eh, probably not, but it beat walking.

Refinement to the simple concept of fitting an engine to a bicycle began in earnest soon afterward, with Indian coming online in 1901 and Harley-Davidson getting started in 1903, among dozens of other bike makers. Competition pushed design forward and racing pushed speeds ever higher; horses were out of the game in short order.

H2R-2
Image used with permission by copyright holder

The Americans, Brits, Italians and Germans traded speed records and trophies for decades, but for the most part, consumers could rarely buy a bike that could top 100mph right off the showroom floor. That changed in a hurry when the Japanese bike makers got serious about speed in the 1960s, culminating in 1969 with the Honda CB750, which featured an air-cooled  77 horsepower inline 750cc four that could reliably and repeatedly hit 125mph or so by simply turning the throttle to the stop in 5th gear, no special skills or tuning magic required.

Kawasaki, pretty much a high-speed boutique maker compared to Honda’s goliath, answered in 1972 with the H2 Mach IV, a 750cc 3-cylinder two-stroke speed machine with woeful handling that quickly earned the nickname “widowmaker.” They hit again in 1973 with the KZ900, a 903cc inline four that was a beast of a machine and upped the ante with dual-overhead cams and even more power. Suddenly, it was game on in Japan.

The rapid pace of development there would temporarily bury the British bike industry as Triumph, Norton, BSA and others all turned out the lights. The Germans held fast (well, not really) and the Italians soldiered on, focusing more on style and handling than outright velocity. But that would eventually change.

Like a biblical lineage, the Honda CB750 begat the CB900, then the CB1100F. The KZ900 spawned the KZ1000, KZ1100, GPZ750 Turbo, GPz750 and 900 Ninja (the “Top Gun” bikes), and eventually the ZX series of sport bikes, culminating in the ZX-11D, a somewhat portly land missile that could touch 174 miles an hour given enough straight road. Along the way, Suzuki mixed in light weight, good handling and big power with the GSX-R series and Honda was still game with the CBR line, of which the CBR1000 was capable of 150mph or better. Along the way, fuel injection and other modern tech began to replace carburetors and other outdated systems. Speeds kept rising.

HR2-3
Image used with permission by copyright holder

Then, in 1997, Suzuki unleashed the Hayabusa, a wind-tunnel sculpted 1300cc anomaly that got everyone’s attention when motorcycle magazines consistently posted top speeds in excess of 190mph, with Cycle World documenting 194mph on what Suzuki insisted was a perfectly stock bike. They immediately disappeared from showrooms at a heavy premium.

And then it all ended.

Bureaucrats in Europe, concerned over what they rightfully saw as a quickly escalating race to the 200mph mark, called a timeout by threatening to heavily tax any bike that could exceed 186 mph, or 300kph. It was called a “gentleman’s agreement” by bike makers but riders called it numerous other derisive names, including “coward’s agreement.”

With the top speed war on pause, bike makers focused on other aspects of performance, namely handling and engine management technologies. Post-1997 sport bikes could often easily hit 186mph, but built-in electronic nannies now kept the peace. Testing for top speed became a moot point, the question simply became how quickly the newest model could make it to the new digital wall.

Then, the H2R.

When news of the supercharged track machine was finally confirmed, Question One returned. The answer? Still not precisely known, but many pundits say their math points to a top speed of about 250mph – on a track. With modern supercars rapidly closing in on 300 mph, 250 doesn’t have quite the glamour it may have years ago, but keep in mind this is from a bike that has an MSRP of 50 grand and not the better part of a million dollars. Sure, they’re all sold out now, but the motorcycling press and speed freaks are now waiting to see if the detuned street-legal H2 with adhere to the 186mph limit – or blow right through it.

Because while the bureaucrats were sleeping, everyone has been dialing up the power, dialing back the weight and stuffing modern bikes with enough technology to shame most high-end sport cars. Crushers like the Ducati 1299 Pinagale, the BMW1200RR and now the Kawasaki H2 are lying in wait, 200+ horsepower engines at the ready.

Will the H2 be the first halo bike to finally give 186 the finger? Stay tuned, because if it does, 200mph for $30,000 or less could be as close as turning an ignition key.

Bill Roberson
Former Digital Trends Contributor
Please reach out to The Manual editorial staff with any questions or comments about Bill’s work.
Timothee Chalamet and ‘The Nanny’ star Fran Drescher are teaming up for a new movie
The movie is set in the world of 1950s ping pong, whatever that might mean.
Timothee Chalamet in Lady Bird

Few actors have been more successful over the past half-decade than Timothee Chalamet. The actor has proven himself across a wide variety of projects and has managed to anchor the remarkably successful Dune franchise. Timothee is also about to play Bob Dylan in A Complete Unknown, which could get him some attention from awards voters.

His next project, though, is a collaboration with Josh Safdie, one of the directors behind Uncut Gems and Good Time. The movie, which is called Marty Supreme, also stars Fran Drescher, the current president of SAG and the former star of The Nanny, and Gwyneth Paltrow. While plot details are scant, Variety has reported that the film is a "fictional work set in the world of 1950s ping pong culture.”

Read more
‘The Apprentice’ filmmakers blame ‘cowardice’ for their inability to find a buyer
The film's explicit political subject matter has made it a target for Donald Trump's campaign.
Jeremy Strong and Sebastian Stan in The Apprentice

With just a month left until the presidential election, it's easy to see why a movie like The Apprentice might be even more controversial than it would be otherwise. The film, which tells the story of a young Donald Trump in the 1970s and early 1980s as he studies under lawyer Roy Cohn, was first screened at the Cannes Film Festival, but didn't have a buyer or a release date until quite recently. Given the movie's fraught subject matter, and the fact that it's now being released before the election, it's easy to see why some major studios might have balked at the idea of acquiring it.

Director Ali Abbasi, though, has a slightly different explanation for why they couldn't find a buyer.
"It was pretty shocking for me after the reception we got in Cannes," he said in an interview with Entertainment Weekly. "I understand it from the business perspective of not wanting to have trouble, but we're not in the business of ice creams. We're not selling shoes. So yeah, it was shocking."
Veteran studio executive Tom Ortenberg ultimately purchased the film under his label, Briarcliff Entertainment, and said that he was also surprised that no one else had grabbed the movie. "I'm so disappointed that literally nobody else in Hollywood would distribute The Apprentice," he said. "It's shockingly disappointing to me to be living and working in an industry where that's the case."

Read more
9 best horror movies to stream on Max now
These are must-see horror flicks if you're a fan of the genre
Jack Nicholson in The Shining

It's horror season yet again! While some people might like to get scared year-round, most reserve the willies for October right before Halloween rolls around. Setting up decorations and going to a haunted house are hallowed traditions, but don't forget to watch your favorite spooky flicks during a lazy Saturday night on the couch. There's nothing like fall leaves and colder weather to put someone in the mood for a frightening story.

Netflix and Hulu have great movies for horror fans, but Max might top both of these streamers. The formerly titled HBO affiliation mixes a great variety of old and new classics in the genre. Zombies, dark lakes, creepy cabins, and so much more: It's a great time to look in one place for all the best hits, and they're covered here. These are the best horror movies on Max.

Read more